pethau eraill / other things

Good Cop Bad Cop are back in the studio. The chairs have been set out, as in a business meeting, and there is an air of duress in the room. The sweaty concentration of urgency as they put the discipline of their past adventures under pressure. It is a day of questioning. A day of…

A list from 7th December 2009, origin and purpose unknown… Abstraction. Activation. Archive. Architecture. Arrangement. Audience. Bricolage. Certainty. Chance. Coherence. Coincidence. Collaboration. Composition. Communication. Conflict. Construction. Content. Context. Cooperation. Decisive. Destruction. Detail. Dissect. Duration. Effort. Engagement. Environment. Ephemeral. Evidence. Evocation. Experience. Exploratory. Focus. Forensic. Form. Function. Frame. Haptics. History. Immediate. Intensity. Interrogate. Investigative. Irrevocable. Labour.…

A previously unpublished outside eye(s) text on the performance for dusk…here “Mas o Amser is a performance for dusk – a durational building performance, a game for two (or more) men/women with unclear rules, a loose choreography and a sculptural exercise performed under duress. It is about the frailty of the human body and the…

So, we decided today to think up 9 questions to ask each other about work…in the past, the present and the future. We then took it in turns to answer a question, filming the response….here are the questions. The answers may or may not follow at some later date. Two of the answers…with added machine…

We arrive to start week 2 confronted by a configuration of chairs that suggests business…so we’ll go with it…for now!

After a very interesting and inspiring conversation with Sarah Leigh, Senior producer down here at Wales Millenium Centre, about possible future options for development and presentation of the outcomes of this initial period of R&D, which the WMC have generously supported through use of space and facilities, we are excited about starting the second week…

I’ve never been a big fan of using the telephone and will do most things to avoid using it, walk a couple of miles on the off-chance someone might be in. I’m worse still at answering it, though the advent of the caller i.d. – or lack of i.d. – does help somewhat. Especially after…

    Good Cop Bad Cop  continue to defy visibility by positioning themselves around the darker, and sometimes barely existent ,corners of performative thought. Once more on entering the studio space one is struck by the liminal territories the two figures inhabit. Rowley – a static meditative figure whose app based introspection magnetises the space…

As mentioned earlier we’ve come across a fideo which is providing more questions than answers, its existence shows there is more stuff that needs tracking down, and hopefully sharing, although i’m not sure we are going to find it before this period of R & D comes to an end. Its quite difficult to watch,…